Spyder
The shelf as self

Reimagining how an object can earns its place on the shelf through connection by bridging the gap between the 'collectible' and 'functional'. A home object designed to be displayed, identified with, & reached for.

ROLES

Freelance Designer Consultant

Product Designer

Product Engineer

services

End-to-End Design

tools

AI Tools

Adobe InDesign

Adobe Illustrator

Grasshopper 3D

Rhino 3D

Brief

The shelf as an extension of self

Key Challenges

Collecting is a major part of human identity, and the desire to display things is in our nature. Trinkets, knickknacks, tchotchkes, souvenirs, personal items — anything that holds personal value — are all thoughtfully displayed objects.

In a society that often relies on conformity and uniformity, sentimental maximalism allows those participating to bask in their individuality. Being a maximalist is more than cluttering a shelf with trinkets and treasures, it is a form of self-expression by building a space that cannot be replicated or commercialized because it is entirely one’s own. 

We want to collect. We want to display. We want to personalize our space.

Collecting is a major part of human identity, and the desire to display things is in our nature. Trinkets, knickknacks, tchotchkes, souvenirs, personal items — anything that holds personal value — are all thoughtfully displayed objects.

In a society that often relies on conformity and uniformity, sentimental maximalism allows those participating to bask in their individuality. Being a maximalist is more than cluttering a shelf with trinkets and treasures, it is a form of self-expression by building a space that cannot be replicated or commercialized because it is entirely one’s own. 

We want to collect. We want to display. We want to personalize our space.

Collecting is a major part of human identity, and the desire to display things is in our nature. Trinkets, knickknacks, tchotchkes, souvenirs, personal items — anything that holds personal value — are all thoughtfully displayed objects.

In a society that often relies on conformity and uniformity, sentimental maximalism allows those participating to bask in their individuality. Being a maximalist is more than cluttering a shelf with trinkets and treasures, it is a form of self-expression by building a space that cannot be replicated or commercialized because it is entirely one’s own. 

We want to collect. We want to display. We want to personalize our space.

Context & Research

Useful decor

How can an object go beyond display to become something its owner both identifies and interacts with everyday?

Creatures by design

Designed objects with human or animal-like characteristics form deeper connections and resonate differently within each user due to their unique experiences and backgrounds.

Context & Research

Useful decor

How can an object go beyond display to become something its owner both identifies and interacts with everyday?

Creatures by design

Designed objects with human or animal-like characteristics form deeper connections and resonate differently within each user due to their unique experiences and backgrounds.

Context & Research

Useful decor

How can an object go beyond display to become something its owner both identifies and interacts with everyday?

Creatures by design

Designed objects with human or animal-like characteristics form deeper connections and resonate differently within each user due to their unique experiences and backgrounds.

Concept

An interactive home good that earns its place on your shelf through connection and doubles as a collectible.

Process

Ideation

I began by iterating the form through parametric design in CAD code, manipulating key variables — the diameter of the central body, the legs (number, angle, length, and path), stackability and interlocking opportunities, and how incense sticks of varying diameters and angles would sit within the form. 

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Materials & post-processes

Materials & post-processes

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Orientation & angles

Orientation & angles

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Content

Content

Content

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Materials & post-processes

Materials & post-processes

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Orientation & angles

Orientation & angles

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Content

Content

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Process

Development

Iterations were 3D printed and post-processed in multiple ways to explore different finishes and surface qualities. From there the final form was molded and cast for production in various materials.

Experimenting with different materials, finishes, & post processing techniques. Considered different incense thickness, orientations, lengths, and other variables. Stackability and interaction…

Solution

An elevated take on the 'pet rock'

Incense behold…

We are used to considering most home objects and collectible trinkets or tchotchkes as solely decorative, satisfying our need to display our likes and inner worlds, with which their only interaction is when admired rather than for a use. With Spyder, the object becomes something worth collecting and the collectible becomes something worth using, as an incense holder with creature-like qualities to bond, customize, interact with, and ultimately stand apart on the shelf.

Spyder depicts a personable yet interactive dynamic within a collectible home object.

An interactive home good that earns its place on your shelf through connection and doubles as a collectible.

Details

Limbs

The creature-like form is both familiar and slightly feral, with its arched legs, repetitive appendages and organic silhouette. Legs down it stands alert and on its back it opens like something caught, the form full of life.

Like the house spider, Spyder has a quiet symbiosis with the home, present and purposeful as it settles and stays. 

Details

Layers

Spyder exists in a ‘colony’. Form purposefully designed to be flip-able / reorient-able as well as nested together, the stack becoming a display object itself. A range of colors, materials, and finishes allows the user to customize, and therefore personalize, their colony to suit their particular space and sensibilities.

Details

Lines

The function becomes part of the form, displaying the incense sticks that are usually hidden in a box. Multiple holes allows the user to customize the number, placement, orientation, and amount of scent they want. The incense sticks and smoke rising becomes part of the visual display and adds action, breathing movement and life into the object.

This

is

just

a

snapshot

of

the

entire

design

process.

Reach

out

to

megginni.design@gmail.com

for

the

full

story!

This is just a snapshot of the entire design process.

Reach out to

megginni.design@gmail.com

for the full story!

Design

rooted in curiosity.
built around people.
made to matter.
+ Me = ❤️
rooted in curiosity.

Based in philadelphia & NYC, working worldwide.

© Megginni.COM [2026] Built by Megan Smith.

MEG SMITH

Design

rooted in curiosity.
built around people.
made to matter.
+ Me = ❤️
rooted in curiosity.

Based in philadelphia & NYC, working worldwide.

© Megginni.design 2026. Built by Megan Smith.

MEG SMITH

Design

rooted in curiosity.
built around people.
made to matter.
+ Me = ❤️
rooted in curiosity.

Based in philadelphia & NYC, working worldwide.

© Megginni.design 2026. Built by Megan Smith.

MEG SMITH

Design

rooted in curiosity.
built around people.
made to matter.
+ Me = ❤️
rooted in curiosity.

MEG SMITH

Based in philadelphia & NYC, working worldwide.

© Megginni.design 2026. Built by Meg Smith.